胡同里满目雕梁画栋还是北京吗

2019-02-20 15:47:25    北京晚报

原标题:胡同里满目雕梁画栋还是北京吗

胡同里满目雕梁画栋还是北京吗

导则》中的图例,形象直观。街门过度采用苏式彩画进行装饰,色彩不符合老北京的风貌特征。

千百年的沉淀,给我们留下了一个底蕴深厚、独一无二的北京城。为了体现首都风范、强化古都风韵、展现时代风貌,昨天,市规划和自然资源委在其官网上公示了《北京历史文化街区风貌保护与更新设计导则》,旨在从技术上规范北京历史文化街区在风貌保护与更新中的“宜”与“忌”,使街区在具体规划、设计及建设时有规可依、有章可循。对于这个《导则》出台的意义和背景,记者采访了《导则》的主要起草者之一北京工业大学惠晓曦老师。

金色琉璃瓦不能乱用

“北京老城整体风貌,在历史上特色非常鲜明,而且遵循一定的规则。比如色彩,大部分是灰色的,中间点缀一些金和红。因为明清时期只有皇家建筑才能大面积用‘金’、用‘红’,但毕竟皇家建筑只是相对少数,就中间一点点,点缀在里面,这是老北京城市建筑的历史内涵和韵律,有一个整体设计在里面。如果建筑都变成了金色、红色,那就不是北京的传统样貌了,北京不长这个样儿。”

惠老师介绍,明清时期,等级森严。红墙金瓦,只有皇家建筑能大面积使用,例如故宫。一些寺庙,如果有局部的金琉璃瓦,它一定是敕建或皇家寺院;王府建筑可以采用绿色琉璃瓦;一般民居则只能用灰墙、灰瓦。

但现在一些采用传统样式的建筑,特别是某些商业建筑,会在屋顶、门头上大面积使用金色琉璃瓦,这就和北京老城的传统建筑风貌有比较大的差异。

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