《垂柳与睡莲池》 “隐世异彩”中再见莫奈

2019-01-23 10:06:28    佳士得

莫奈的好友克里孟梭指他是一个“疯狂地努力实现不可能之事“的人。

纵然莫奈当时景况凄凉,他却出人意料地发挥得更为极致,开始创作一系列令克里孟梭为之震惊的作品。克里孟梭形容莫奈是一个“疯狂地努力实现不可能之事”的人。

这位政客所指的,是莫奈想要做出史无前例之举的渴望;除了捕捉光影和色彩之外,他同时锐意绘画出水面下的黑暗。当时,艺术家大都专注描绘水面的光线,但莫奈却进行得更深入,从而最终完成《睡莲全景》(Grandes Décorations)。

《垂柳与睡莲池》 “隐世异彩”中再见莫奈

1920年,莫奈在画室绘画《睡莲全景》。图:Private Collection / Roger-Viollet, Paris / Bridgeman Images

莫奈探究表面底下世界的大胆举动,让人不禁猜想那是他体现内心悲痛的手法。然而,艺术史学家安德鲁·格雷厄姆-迪克森(Andrew Graham-Dixon)认为《睡莲全景》蕴含的意义更为深远:“莫奈希望我们着眼于广大的宇宙,他感兴趣的是生命永恒的律动。”

2月27日,作为莫奈为《睡莲全景》这幅旷世巨作所绘画的习作之一,《垂柳与睡莲池》(Saule pleureur et bassinaux nymphéas)将会于佳士得伦敦“隐世异彩:重要私人珍藏印象派及现代艺术杰作”晚间拍卖上瞩目登场,这件被安德鲁·格雷厄姆-迪克森形容为“美妙生动的画作”描绘了一棵吉维尼花园内的巴比伦柳树,其枝干优美地悬垂于水池北岸上方。

《垂柳与睡莲池》 “隐世异彩”中再见莫奈

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